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When satan is a headliner – how Horna & Co burnt to ashes in Minsk

  • 04/02/2018 - 14:06 Read: 484  Rate this item
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A mysterious accident that happened to Rienaus in Tallin a day before show in Minsk could have been called satan’s practice, if their appearance wouldn’t work in his favour. But the banner of darkness was rapidly taken by its adepts Pestilentia (guys from Rienaus, drop us a line how’s it going, we worry about you) and the score against Murphy's law equaled in an orderly 1:1.

Let us not judge the equivalence of the substitute, since it’s a lowly craft. But the fact that Pestilentia was warmly met by the audience is unquestionable. Sure they did, since they fit the format. The band was perfectly good for opening the show. Static musicians wrapped in soft candlelight produced by no means soft acoustic mayhem with yelling guitars. Atmosphere has been created, mood – set up. And if one takes a closer look, not less static audience resembles a mirror, which reflected the action on stage. But that’s fine, if a warming up band made even one foot tapping – it’s a success. What can I add? An excellent strong set-list with abundant blast beats and dark matter. Pestilentia’s shows seem as if getting into a black hole with no time and space. Then you look at your watches – hm, that short set as it turns out… How do they do that?

Todestriebe made 2:1 against Murphy’s law at least with the fact they reached the destination. And here it goes with slam and hair-windmills on the dance floor. Just the way it was meant to be. Someone wanted more melodics? We’ve got plenty! (Though, jumping ahead of myself, I can say that it still wasn’t the climax). Groovy guitars now alternated, now overlapped chorus of the strings comrades, doing their best to outshout elaborate drums. The audience didn’t stay silent as well, and were shouting-squeaking-whistling their approval during severe frenzy in front of the stage. Still the brutal music lovers hungry for slamming and moshing failed to make the band stay longer. Poorly illuminated silhouettes of musicians slightly quavered in doubt after the exclamations demanding for more, but still briskly hid in darkness.

Well, it's high time to see what's new in the bar, look through the books about black metal and dive into the pile of various merchandise. There was about a half an hour for everything, so everyone had fun the way one could. But let’s omit bustling around and long equipment installation. Horna for sure turned out to  be the talkative ones. There were speeches about unity in the name of you know who; and flamboyant overtures to the land of storks, potatoes and the densest concentration of black metal per square meter of Brugge club; and much more, that the memory in order to save kilobytes sums up into – such cuties!

"No Horna - only Satan!" - summon the cuties in response to the loud chants of the audience, which later turns into a funny polyphony, where the part screams as agreed, and the other part doesn’t. In general, the headliners in free interpretation can be characterized as rock'n'rollers from black metal. And if one turns the picture off – they will perfectly do for a radio top. Devil-may-care rhythms made the heated audience party hard, as at the click converting fun dancing into bodies collision and back. And afterwards the band decided to add to the drummer’s passages echoes of ritual drums. It was immediately picked up by the audience, which accompanied them with their voices. As you’ve already guessed, it was hot and fervent, 3: 1 for evil. Thanks to Lyty Booking and Satan. Still, more to Lyty Booking.


Report/Translation: Gella Inspired
Photos: Nat Nazgul

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